The next step is color grading. Straight out of the camera (SOOC) images typically look a bit dull and flat. This is because in order for the camera to capture as much data as possible it must separate the darks from the lights. Camera sensor technology is not at the level of sophistication as the human eye, which can see a wide gamut of colors and contrast. Because of this, post-processing becomes a tool by which the photographer can bring his or her vision to life. In my case, I often utilize color presets (I use VSCO primarily to color-grade) to begin my editing process. This helps me to set the mood for the gallery.
The next step is to retouch the subject using a multitude of methods in Adobe Photoshop. I start by using the Healing Brush tool to clean up skin artifacts, slight wrinkles, acne, etc. The Patch Tool is useful for larger areas of skin that need to be cleaned up. The next step is to even out the skin tones. For this I use a method called Frequency Separation (you can Google/Youtube this for more info). You can also use Photoshop Actions that enable you to 'brush on' skin smoothing. I use the ones created by Fashion Actions (www.fashionactions.com). It's a quick and easy way to clear up blotchy skin tones, and uneven layers.
Once I feel the skin looks clean, I move on to dodge and burning. I use a Wacom Intuos Pro to paint on highlights and shadows to create more depth in the image. I add and remove to areas where I want to enhance the natural light as it is (especially around the eyes). This helps to create the impression of dimension to an otherwise flat image.